There’s really nothing like it out there that compares in visual style. Monoton gets its style from the 1930’s metalpress fonts. If you’re searching for a font that looks good with Caps Lock turned on, this is definitely the one. It’s an ideal font for website titles, newspaper headlines and graphic design. Poiret One provides a fresh take on Art Deco and looks quite similar to the letter and number styling in Agatha Christie’s “Poirot” television series. The numerals have nice curves and points and complement the letters very well. It not only includes numbers and letters but also many special characters such as copyright and money signs. Josefin Sans has a distinctive styling and takes inspiration from sans-serif typefaces of the 1920s. The following number fonts in this category all have a uniqueness that sets them apart from Arial and other traditional typefaces. Ready to check out some of the best number fonts out there? Let the countdown begin. So you’re not only getting really cool numerals but also letters in the same visual style.
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With Google Fonts, you can embed them on your site or download them to your computer.Īlthough we’re talking specifically about number styles in these fonts, they also include the traditional characters from A to Z. Maybe you need cool number fonts for a racing site or a sports blog. Number fonts are especially popular, providing unique styles for numerals in most any situation.
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They’re free for personal and commercial use, so you can use them to type up your blog or for designing your next product. Google Fonts offers a wide variety of fonts for use on the web. Whether you’re looking to use numbers for digital prints or part of your web design, you don’t have to stick with those plain fonts that come bundled with your computer’s operating system.Ĩ Numbers Make the World Go-Round Hey Google Fonts! It’s not just for us oldies on the “int3rn3ts.” They’re used in passwords and usernames online – some people even use numbers in place of letters. Numbers are useful not only for counting but also for design. There’s no evolution of the human mind or comprehension of quantum physics or… We do need letters (and we wrote about hand letter fonts previously), but we need something even more important than them. You’d probably say, “Letters make words, silly. In fact, you couldn’t read much of anything because no one could write anything down.īut what if I told you that there is something far more important than letters? All rights reserved.Without them, you couldn’t read this blog right now. Typeface © 1992 Fundicion Tipografica Neufville, S.A., Data © 1992 URW. At different times, different type foundries have marketed the same font under those names. By the way, if you think Futura looks like typefaces named Intertype and Spartan, you're right. The appealing spikiness of both fonts, however, makes for clean-looking headlines and text as easy to read as any sans serif face can be. As a result of this and its wider base, Futura has become the better known and more popular of the two families. Although it started life with some very eccentric letters, particularly 'a' and 'g', the lower-case alphabet of Futura is now a shade less eccentric and more polished. Kabel was designed by Rudolph Koch for Klingspor, while Futura was designed by Paul Renner for Bauer. Kabel and Futura are birds of a feather, and both fonts seem to have been fledged between 19.
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